Just like Slughorn, Albus Dumbledore collects people. Only, instead of focusing on those with influence, he looks to the outcasts.
The expelled half-giant. The young werewolf. The repentant Death Eater.
He protects them and gives them a second chance. All he asks in return is their loyalty.
And, if on occasion he requests that they undertake a certain task, invoking their debt of gratitude – well, that is no more than he is owed.
He once thought to add a certain disowned Black to his collection, but quickly realised his mistake.
Sirius is not an outcast, but a rebel. He knowingly chose his path, and chooses what price he is willing to pay for it. He refuses to be used.
So Albus Dumbledore abandons him.
Who gave you the RIGHT?
Dumbledore knows Sirius’s loyalty lies with Harry instead of him, and he has no use for someone who is not willing to follow his orders without question.
Ooooohoo if there’s ever a post that fits my aesthetic…
okay but then where does Harry himself fit into this collection? Is he an outcast because he is “the Boy Who Lived”?
Nooonono, my friend, that’s what makes this post so beautiful. Because it fits the meta I’ve been trying to get people to accept for years.
Harry was an outcast due to a childhood filled with abuse and neglect.
Vernon made him an outcast by dismissing his claims of magic, berating him, locking him in a CLOSET and putting bars on his window, and let’s face it, even though her editor made her cut it out, Jo intended for there to be physical abuse.
Petunia made him an outcast by enabling and contributing to this abuse, as well as making Harry do dozens of chores while doting on Dudley.
Dudley made him an outcast by bullying him and threatening any students at school who wanted to be his friends.
And the rest of the wizarding world made him an outcast when they bullied him for being an outsider.
Harry James Potter became an outcast the moment he was placed with The Dursleys.
old people really need to learn how to text accurately to the mood they’re trying to represent like my boss texted me wondering when my semester is over so she can start scheduling me more hours and i was like my finals are done the 15th! And she texts back “Yay for you….” how the fuck am i supposed to interpret that besides passive aggressive
Someone needs to do a linguistic study on people over 50 and how they use the ellipsis. It’s FASCINATING. I never know the mood they’re trying to convey.
I actually thought for a long time that texting just made my mother cranky. But then I watched my sister send her a funny text, and my mother was laughing her ass off. But her actual texted response?
“Ha… right.”
Like, she had actual goddamn tears in her eyes, and that was what she considered an appropriate reply to the joke.I just marvelled for a minute like ‘what the actual hell?’ and eventually asked my mom a few questions. I didn’t want to make her feel defensive or self-conscious or anything, it just kind of blew my mind, and I wanted to know what she was thinking.
Turns out that she’s using the ellipsis the same way I would use a dash, and also to create ‘more space between words’ because it ‘just looks better to her’. Also, that I tend to perceive an ellipsis as an innate ‘downswing’, sort of like the opposite of the upswing you get when you ask a question, but she doesn’t. And that she never uses exclamation marks, because all her teachers basically drilled it into her that exclamation marks were horrible things that made you sound stupid and/or aggressive.
So whereas I might sent a response that looked something like:
“Yay! That sounds great – where are we meeting?”
My mother, whilst meaning the exact same thing, would go:
‘Yay. That sounds great… where are we meeting?”
And when I look at both of those texts, mine reads like ‘happy/approval’ to my eye, whereas my mother’s looks flat. Positive phrasing delivered in a completely flat tone of voice is almost always sarcastic when spoken aloud, so written down, it looks sarcastic or passive-aggressive.
On the reverse, my mother thinks my texts look, in her words, ‘ditzy’ and ‘loud’. She actually expressed confusion, because she knows I write and she thinks that I write well when I’m constructing prose, and she, apparently, could never understand why I ‘wrote like an airhead who never learned proper English’ in all my texts. It led to an interesting discussion on conversational text. Texting and text-based chatting are, relatively, still pretty new, and my mother’s generation by and large didn’t grow up writing things down in real-time conversations. The closest equivalent would be passing notes in class, and that almost never went on for as long as a text conversation might. But letters had been largely supplanted by telephones at that point, so ‘conversational writing’ was not a thing she had to master.
So whereas people around my age or younger tend to text like we’re scripting our own dialogue and need to convey the right intonations, my mom writes her texts like she’s expecting her Eighth grade English teacher to come and mark them in red pen. She has learned that proper punctuation and mistakes are more acceptable, but when she considers putting effort into how she’s writing, it’s always the lines of making it more formal or technically correct, and not along the lines of ‘how would this sound if you said it out loud?’
so hey who else was taught as a kid that “”””wanting attention”””” in any way was wrong and shameful and has grown up unable ask for help or support even in great distress/suffering
Parent: why do you never come to me for help
(two days later)
Me: I need help with something
Parent: CAN’T YOU SEE I’M BUSY WHY CAN’T YOU DO ANYTHING BY YOURSELF GOD YOU’RE SO-
Me: never mind
And don’t forget the You Can Tell Me Anything (Except Things I Don’t Want to Hear)™.
Bonus round of You Can Tell Me Anything (But If I Don’t Like It You’re In Big Trouble Even If You’re Asking For Help)
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